I love glass and consider the work that I do in stained glass to be jewelry for your windows, My pieces are small, layered, intertwined with silver, and inspired by the natural world. I do this work because I enjoy the process. I love to see my pieces go to people with whom they resonate. All proceeds go to the Dryden Rail Trail, the source of much of my inspiration.

My work bridges the versatility of monotype printmaking with the structure of painting, each informing and influencing the other. This conversation fuels my technique, which includes transfer and resist applications of paint and ink using stencils, printing blocks, and relief plates. I also create collage papers through hand printing and acrylic glazing methods, and incorporate repurposed materials such as sewing patterns, sheet music, and maps – each contributing its own intricate patterns and delicate history.

I invite you to accompany me down the path to my dedicated workshop, where I turn found local wood into graceful functional art. I love to share the resulting beauty of turned wood, while still giving the admirer a moment to consider the origin and path the wood took to reach its new form. I hope you take a moment to imagine the life of the tree that once contained the object you’re looking at.

When you visit, use the large driveway at the brown and green workshop located north of the house.

I am a fulltime painter/illustrator, my award-winning watercolors have been published in national and regional magazines, newspapers, and in corporate and private collections. I find the watercolor medium ideal for capturing the lakes, waterfalls and landscapes of the Finger Lakes.

Erin is a figurative artist working mainly in oils as well as a variety of other media. Her work explores personal identity and connection to self, others, and environment. A selection of Erin’s work will be on display in the Atelyay Gallery on Aug 10th, whenever Atelyay is open for workshops, and by appointment

Over the last couple of years I have been re-exploring drawing and watercolor painting. I am just starting with acrylic painting and am looking forward to seeing where this will lead me. Please join me at my Cabbage House Studio. My friend, potter Perri Lopinto, will be there as well with some of her work.

Using repurposed plastic car bumpers otherwise headed for landfills I create colorful sculptures that can be inside or outside. These parts, originally designed to withstand the elements, are highly engineered, aerodynamic with metallic colors that take on new life, no longer resembling an automobile. The towers are illuminated on the inside with solar lights symbolizing sustainability. Emissions, consumerism, prioritizing Profit, ubiquitous plastic, landfills, politicians and corporations collaborating deciding who makes what are some themes.

I have been photographing in Ithaca since 1970, primarily in black and white. My focus has been mostly the revealing details rather than large sweeping vistas, and most of my work consists of toned fiber base silver prints made from 4×5 negatives.

As a visual artist, I wander the environs, eyes in motion–delving into textures, patterns, colors, and lines painted by light. Expanding the view a scene presents by altering perspective. Exploring patterns of illumination, the observer has a chance to visualize the possibilities, rather than what is.

My work focuses on the endangered and extinct species of the Susquehanna River area. I work with woodblock prints, screenprints, monotypes, and handmade paper.

Since beginning to paint landscapes during the pandemic, my current artistic wanderings have led me to paint animals. With loose strokes and soft abstraction, I honor our fellow sentient beings. I paint in oil on paper, Belgian linen and wood panel.

I find myself drawn to abstracted floral and landscape themes, exploring the vibrant colors and the exuberant life energy found within. I want to capture the essence of the natural environment as well as the emotional impact I receive. The subject appears to be alive, virtually jumping off the canvas, immersing the viewer into a magical world/space. I create art that brings joy; art that has the power to transform not only interior space but also the human spirit.

I work primarily in textiles, fiber, paper, and mixed media such as encaustics. When you visit my studio you will discover a variety of colorful handspun yarn, hand-dyed silk scarves, botanical prints, felted paper, felted handbags, and fiber sculptures. I enjoy showing and telling visitors about the processes that I use in my artwork.

My photographs and books explore the built environment of upstate New York.

My acrylic paintings explore the intersection of space and memory, drawing from both representational and abstract traditions. My ongoing series “Open Concept” takes elements of local landscape and blends them with interior objects from my memory. Inspired by drawings, photos, plein air sketches, and my spur-of-the-moment imagination, I create landscapes that often have a surreal twist. Light is also a major subject in my paintings, embellished by techniques such as glazing and mixing in acrylic mediums. I invite you to step inside my day-to-day world of experimentation and whimsy!

Representational oil paintings of landscapes. My artwork is painted outdoors in an impressionistic to realistic style.

I started painting with soft pastels during Covid and fell in love with this colorful medium immediately. I find it perfect for capturing our beautiful landscapes and flowers because it is so immediate and also forgiving. As an artist I’m often paying attention to the intimate details of nature and where my eye is drawn. It is where I find my inspiration—the light changing during the day, colors, shadow, nature’s bounty, the seasons changing, a new flower blooming, a color here, a color there, it is all so glorious!

I started painting relatively late, and went through as many styles, subjects, and media as I could, before coming happily to rest in a world ofcolor and texture, while incorporating some of the architectonic lines I love. I work mainly in alcohol inks and acrylics. Most of my work is very large, suitable for corporate settings, offices and homes with big walls and good light.

Samite is a world-renowned recording artist who, when not in his music studio, is either in his photography studio or his woodshop. His photographs of Africa, Ithaca, and points in between bring the viewer into his world and the moments that touch his soul. Each of Samite’s unique hand-carved bowls is an heirloom piece that is organic in form—influenced by the nature of the wood and finished with food-safe oil for versatility in your home.

The work I will show of Ithaca are drawings in pastel on black Arches paper—44″ horizontally 30″ vertical.

I grow gourds and turn them into lamps and other functional works of art.

I focus on fine art photographs, cards, and textiles.

My work is photo-based and includes photographic works on paper and objects as well as layered prints on monoprints, hand colored photographs, mixed media and polymer photogravure works. My subject matter often includes portraits, movement, and the addition of colored inks. I am interested in how the brain chooses to see, fill in the blanks, and discard visual information. I like to challenge traditional notions of the photograph.

My work has always addressed issues confronting women. Words and images common to one generation may be unknown to another. My work examines the changing nature of experience over time and aging, and comments on expectation and reality, the ideal and the everyday, and the debate which continues to occur when women confront themselves and their role in society.

I work in mixed media, assemblage, collage, painted furniture and accessories.
My studio is also the home base for my wholesale stationery lines including cards, prints, note pads, stickers, journal books and gift tags.

I’m an acrylic, watercolor, and mixed media painter. Visit my studio at Artist Alley and relax on my comfy blue couch!

Abstracted paintings, monotypes, and mono prints from the figure.

I am a Finger Lakes based visual artist who specializes in bold acrylic, gouache, and sumi ink paintings, often speculative and narrative in nature, as well as other media, such as ceramics, found objects, and digital art. I received my Ph.D. in Anthropology at Cornell University in 2022 and my paintings reflect my interest in mythology, foodways, the natural world, ecology and human connection.

My art is my passion, I dabble in a bit of everything, but I love to dedicate my time to my resin paintings and chess sets. My paintings consist of safe epoxy resin, alcohol ink, mica powders, genuine crystals and gemstones, as well as live edge wood in some pieces. I focus a lot on nature and the oceans.

I am a professional photographer and work with commercial, non-profit and individual clients. My challenge in making photographs has always been to incorporate a sense of movement with the stillness of the medium.

I am an abstract acrylic artist and also “paint” landscapes with fabric. The lakes, waterfalls and iconic scenes of the Finger Lakes influence my work. I am also inspired by views from the James Webb Space Telescope and local flowers in bloom. I create both functional art pieces and traditional wall art.

I live and work in the countryside of New York state in a converted barn that is home to quite a few wild creatures besides its human occupants. My partner and I have a small apiary (Sky Barn Bees) and harvest honey. My work reflects how human and natural realms are entangled in fascinating, marvelous, multiple and necessary ways. Global concerns about our environment along with our interdependence with creatures that are often deemed insignificant gives rise to themes I explore in large scale drawings, mixed media and sculptural works.

My early impressionistic landscapes have evolved into abstract paintings, inspired by the fundamental shapes and colors in nature. I enjoy exploring new techniques using oil and acrylic paints, pastel sticks, transparent inks, layered painting, and collage.