My work bridges the versatility of monotype printmaking with the structure of painting, each informing and influencing the other. This conversation fuels my technique, which includes transfer and resist applications of paint and ink using stencils, printing blocks, and relief plates. I also create collage papers through hand printing and acrylic glazing methods, and incorporate repurposed materials such as sewing patterns, sheet music, and maps – each contributing its own intricate patterns and delicate history.